Discover the inspiring careers of our alumni who leveraged their University of Notre Dame degree to set in motion their success around the world. To share your story after graduation and embolden current students, please fill out this form.
Jackson Wrede '18
Alumnus Jackson Wrede creates “pop collage” style paintings that mix images from popular culture, well-known works in art history, and graffiti lettering, among other fun elements. If you’re only viewing them online, it may take you a moment to realize each piece is, in fact, an oil painting, with colors so painstakingly and vividly produced that they mimic the opacity of printed images. The colors are that vibrant. The lines are that clear. Before painting one of these pop collage pieces, Wrede plans out each portion, carefully “placing” each image from a collection he has created over time. He then sketches the entire composition on a canvas before painting.“That’s just my personality. I’m very drawn to organization and structure,” says Wrede. The images he includes in his paintings would be familiar to anyone with a decent grasp of American pop culture in the last century. They include Sylvester Stalone as Rocky Balboa, Clint Eastwood in Dirty Harry, Betty Boop, Michelle Pfeiffer as Catwoman, an Angry Bird, the Pink Panther, Looney Tunes characters, Michael Jordan in mid-dunk, Rich Uncle Pennybags—you know, the little mustachioed Monopoly guy—perched on a pile of money bags, and many, many more. These are mingled with fine art references, like Andy Warhol’s iconic Campbell’s Soup can and his Marilyn Monroe portrait. Wrede has even painted the statue of David in one piece. It captured his interest in an art history class and Wrede was “so drawn to it, I had to take a crack at it,” he says.Wrede describes himself as a “collector” of images and his packed compositions make that clear. He is using density, in composition and in color, to make a point. [Read more...]
Sophia Bevacqua '17
Exhibition Projects Coordinating Assistant, Patrons of the Arts in the Vatican Museums
Bevacqua works in the Vatican Museums Patron’s Office, with seven laboratories dedicated to preserving and restoring the site’s vast collections. The labs are specialized by art form: tapestries and textiles, painting and wood, ethnological materials, stone materials, metals and ceramics, mosaics, and paper. Together they form the largest art restoration complex in the world. Bevacqua is something of an intermediary in restoration projects. She works with the laboratories to determine which works of art will be restored, which methods will be used to do the work, and how much each project will cost. She then works to match upcoming restoration projects with benefaction from the museums’ pool of approximately 2,400 donors. She’s also working on an exhibition curated by Vatican Museums director Barbara Jatta of pieces that will tour major museums in the U.S. [Read more...]
Abby Shepard '16
Marketing Director, Delaware State Parks
Abby Shepard grew up in Dayton, Ohio and studied graphic design and environmental science. After graduating from Notre Dame in 2016, she got a job as a naturalist at Cape Henlopen State Park in Lewes, Delaware. While working at the park, she started taking photos of the landscapes and eventually that led to taking photos of events and then weddings. That year, she was offered a job in the marketing department for Delaware State Parks and moved to Dover, Delaware. In 2018, she became the marketing director for Delaware State Parks in addition to her wedding photography. Shepard loves landscape photography, and she oversees all photography and videography for Delaware State Parks. Shepard loves both her jobs, and she loves how she can incorporate her love for the outdoors in everything that she does. [Read more...]
Waleed Johnson '15
Engineer, Ford Motor Company
An engineer by day [he develops mobile apps for Ford Motor Company] and artist by night, Johnson's work has been shown in galleries in Chicago, Detroit, and Washington, D.C. Johnson, who was a 2015 Reilly Scholar, also served as an officer of the Voices of Faith Gospel Choir. He received the 2015 Barbara H. Roche Award for Excellence in Undergraduate Painting, as well as the Mabel L. Mountain Painting Prize.
Johnson recently wrote an article for the International Review of African Art. [Read more...]
Samantha Coughlin '15
User Experience and Visual Designer, PodOp
Samantha Coughlin has spent the last two years at PodOp—a NYC startup focused on changing the way stories are crafted and experienced. Lead designer at a small shop, Sam works on designing interactive content and building tools to assist in the creation of complex narratives. Whether that’s exploring themes like empathy and perspective, viewer agency, or immersive engagement, her primary goal is creating “technology that furthers or enhances traditional storytelling.” Mosaic, an interactive app experience directed by Steven Soderbergh, was released in the fall in collaboration with HBO. It was featured by the App Store and Google PlayStore, and heralded by some as “the Most Innovative TV Series Maybe Ever” (Daily Beast, 2018). Bobby McKenna, '10 served as art director for the project. Outside of work, Sam helps run a small collective aimed at connecting new friends from their own extended networks and has served as a designer in residency for Columbia Business School.
Lauren Miller '15
Lauren Miller, a 2011 BFA graduate in photography, is currently working as a fashion photographer in Los Angeles with a focus on lifestyle and commercial photography. Although the majority of her work is outdoors on location, she shoots a diverse range of projects from campaigns and look books to e-commerce. Since graduating from Notre Dame, she has worked with many fashion brands both in Los Angeles and abroad, as well as shot for various magazines and celebrities. She is known for her soft lighting and painterly colors both outdoors and in studio and loves the creative energy on set.
Shelby Alexander '14
Beauty Studio Designer, Proctor and Gamble
Shelby Alexander, née Grubbs, graduated from the University of Notre Dame in 2014 with a B.A. in Studio Art, concentration in Painting. While at Notre Dame, she was awarded the South Bend Museum of Art College Studio Residency, and she has since completed the 2017-18 Emerging Artist Residency Program in Indianapolis. Shelby’s work has been exhibited nationally in galleries and museums, and she most recently had her first solo exhibition, Shelby Alexander: Afterthought, at Guichelaar Gallery in Indianapolis in 2019. She is currently preparing for her second solo exhibition in Fort Wayne this fall. [Shelby’s large scale mixed-media works articulate the tension between the modern experience of beauty, consumption, and industrialization—and what that means for the future of the environment and global sustainability efforts. Shelby aims to expand upon contemporary concepts of drawing and painting by combining traditional techniques on paper with innovative collage, using stitched-together textiles collected predominantly from her own closet. This process serves to explore her own complicated relationship with fashion: after having taken a fashion design intensive program at Pratt, she remains seduced by it as an art form in its own right and as a vehicle for self-expression. Nevertheless, next to Big Oil, the clothing industry is the second largest polluter in the world. Normally when we think of pollution, we envision coal power plants and raw sewage piped into our waterways; rarely do we think of the shirts on our backs. Shelby’s textile work aims to increase awareness of this issue, while still respecting and acknowledging the inherent aesthetics of fashion as an art form.] Shelby currently lives in Cincinnati, where she works full-time for Proctor and Gamble as a Beauty Studio Designer. She maintains an art studio at the Pendleton Art Center downtown.
Emily Hoffman '14
Sr. Research Analyst in Strategic Development, Stryker IMT
Emily Hoffmann graduated from the University of Notre Dame with a BFA in Industrial Design and Pre-Health studies in 2014. Following graduation, she worked as an industrial designer at Tekna, a product development consultancy located in Kalamazoo, MI. Tekna’s diverse range of services and clients offered the ability to wear many hats in a variety of industries. Emily’s time at Tekna was marked most notably by a 2018 Good Design Award received for efforts as a core team designer assisting client, Traeger, in the conceptualization and commercialization of the Timberline BBQ grill. Passionate about the intersection of design and medical technology, Emily took her talents in-house in 2018 and joined Stryker’s Incubator for Medical Technology (IMT) division as a Sr. Research Analyst on the Strategic Development team. Within her cross-discipline team, she aims to bring a voice to the design discipline in a culture dominated by marketing, engineering and sales. She uses her background in empathetic human-centered design research and her creativity in 2D and 3D visualization skills to uncover unmet user needs, conceptualize potential futures, and accelerate business development and R&D direction. In June 2019, Emily graduated with a Master’s of Product Design and Development Management (MPD2) from Northwestern University. A hybrid MBA program, the MPD2 degree empowers its graduates to combine their love of product design with the realities of business. Together with her dynamic team members brought together by this program, she is currently pursuing the commercialization of her Notre Dame capstone project in design.
Eileen Murphy '14
Product Designer, New York Times
Eileen Murphy is a Product Designer at the New York Times specializing in video and virtual reality products across all Times' platforms and properties. Most recently, her team released The Daily 360, an unprecedented journalist endeavor to publish one new 360 virtual reality video on every platform each day for over a year. Eileen was the primary product designer for The Daily 360, creating an intuitive and cohesive watching experience across the NYT website, mobile site, iOS and Android native apps. 360 videos transport viewers directly to the center of the story; immersing them into the scene and allowing them to explore the surroundings for themselves. Watch for yourself.
Justin Schneider '11
Founder, Wolf & Shepherd
Justin Schneider, Industrial Design alum, was awarded the grand prize at the 2015 McCloskey Business Plan Competition, hosted by the Mendoza College of Business. His company, Wolf & Shepherd, creates high-end footwear with high-performance comfort. Justin also won the Irish Angels award, giving Wolf & Shepherd the opportunity to pitch its plan to 90+ Limited partners of VC firm with 67% of companies pitching receiving funding from asking price. Justin Schneider was also recognized in January 2017, as a Forbes 30 under 30 honoree in the retail and eCommerce industry.
Mary Cecilia Mitsch '10
Associate Director, Marianne Boesky Gallery
Mary Cecilia Mitsch is a Director at Marianne Boesky Gallery in New York City where she works with artists, exhibition management, and sales. Mary spent several years at David Zwirner Gallery, a contemporary art gallery in New York prior to accepting the new position. Mary Cecilia will specifically be co-directing a new gallery space that Marianne Boesky Gallery has opened on the Lower East Side of Manhattan. Marianne Boesky Gallery represents some of the world's pre-eminent artists including Frank Stella, Rachel Feinstein, Sue de Beer and Anthony Pearson among many others. Mary Cecilia studied Graphic Design and Art History at Notre Dame. She graduated in 2010 and pursued her MA in Art History at Savannah College of Art & Design before moving to New York to pursue gallery management.
Will McLeod '09
Co-Founder and CPO, Keen Home Inc.
In 2007, while still at Notre Dame, Will McLeod became the inventor and later the founder of SmarterShade. SmarterShade, now owned by a new company and called VG glass, is a smart glass company that manufactures windows that can brighten and darken a room in response to light and temperature as well as be controlled by an app. After selling his 6 yearlong endeavor in 2013, McLeod cofounded the smart home products company, Keen Home, with which he is still heavily involved. From all of his successes and various other experiences in engineering and manufacturing, he is now cultivating his current project, a practical how to book, Mechanical Engineering for Hackers, which was released November 2015. Will was recognized in January 2016, as a Forbes 30 under 30 honoree in the manufacturing industry.
Mallory McMorrow '08
Senator, State of Michigan
After 10 years in creative roles at Mazda, Mattel, Gawker Media, and HeLo, covering everything from product and graphic design, writing, and creative direction, Mallory McMorrow, ND ‘08, brings design thinking to politics. McMorrow recently won the 2018 Michigan State Senate race in the 13th District, leveraging the skills she learned at Notre Dame and throughout her career to bring a new perspective to public and policy issues. She was also recently endorsed by Run for Something, featured in Vox, Vice's Broadly, Bustle, and Mic.com. In her career as a designer, McMorrow won the 2007 Mazda Design Challenge while she was still a student at Notre Dame, earned a patent at Mattel on Hot Wheels Urban Shredder in 2012, was recruited to be Gawker Media creative director in NYC, and in 2015, helped launch/lead a LAbased production company HeLo, to over 10 Cannes Lions awards in first 2 years as dir. of creative strategy. McMorrow announced her candidacy for State Senate in Michigan in 2017.
Mansour Ourasanah '07
Senior Designer, Whirlpool's Advance Studio
Industrial Design alum Mansour Ourasanah was awarded the Vilcek Foundation’s Prize for Creative Promise in Design, recognizing immigrant contributions to the American arts and sciences. The Vilcek Prizes for Creative Promise in Design complement the Vilcek Prize and are awarded to foreign-born individuals who have demonstrated exceptional achievements early in their careers.
Mansour Ourasanah is a senior designer for Whirlpool’s Advanced Studio in Chicago, where his role is to create innovative user-centric solutions for a new generation of global and hyper-connected consumers. His work focuses on the importance of storytelling in the design of products that address complex emotional and environmental challenges.
His project, LEPSIS: The Art of Growing Grasshoppers — a vessel that can be used to grow insects for food in efforts to promote sustainable meat production and consumption amongst urban populations — is one example of his achievements in the design arena. Ourasanah was born in Togo.
Jonathan Sundy '01
Owner, Jolly Good Gang
Jonathan Sundy ’05 is a freelance Character Designer living in Portland, OR. Jonathan studied Industrial Design and Computer Applications while at Notre Dame. After graduating, he worked his way from Design Intern to Design Director of Metaphase Design Group in St. Louis, MO. Over his 9 years at Metaphase, Jonathan designed products for Coke, Revlon, Budweiser, Medtronic, Microsoft, Ping and more. His designs won 17 international design awards and he's an inventor on 25+ patents. In 2014, Jonathan left Metaphase to pursue a career in Character Design. He went back to school at Schoolism.com and now works as a freelance character design and illustrator. He creates characters for video games, TV shows and advertising spots for Google, Amazon and more. His 5 children’s books have been best sellers on Amazon and iBooks. In 2016, Jonathan founded Jolly Good Gang, a company devoted to bringing more joy and absurdity into the world through art prints and gifts. Jolly Good Gang has popup shops at art fairs and cons all along the West Coast. Follow along at jollygoodgang.com.
Carly Murphy '01
Vice President, Client Development, Contemporary Art at Sotheby's
Growing up in South Bend, Carly Murphy ’01 always admired Marc Chagall’s Le Grand Cirque when she saw it in the Snite Museum of Art at Notre Dame. This piece of art sparked a love of French culture in Murphy, who went on to major in French and art history in the College of Arts and Letters. Now vice president of global client development at Sotheby’s international art auction house, Murphy returned to campus last semester to speak to a gathering of students, reflecting on her Notre Dame education and offering advice on entering the art world. The title of Murphy’s presentation, “No Straight Lines,” highlighted her unexpected path to her current role. Every step along the way, she said, her liberal arts education has been a valuable asset. “I do think that the education that I got at Notre Dame, and what I was exposed to, really made a difference,” Murphy said. “My people skills, my polish, my ability to stand on my own — to walk into a room with the top of the 1 percent and hold my ground — has really helped me.” [Read more...]
Alexis Belis '00
Assistant Curator in the Department of Antiquities, J. Paul Getty Museum
Alexis Belis arrived at Notre Dame with a plan. Following in her father’s footsteps, she was ready to major in physics, tackle the requirements for medical school, and become a doctor. Today, she is an assistant curator in the Department of Antiquities at the J. Paul Getty Museum in Los Angeles. Eager to get started on her physics and pre-med courses her first semester, Belis unsuccessfully tried to opt out of the University’s fine arts course requirement. She nearly missed her true calling. “That first fine arts survey course changed everything,” Belis said. “It turned out I wasn’t nearly as excited about or interested in my physics courses.” Instead, Belis quickly became enamored with the ancient architecture the class explored with Associate Professor Robin Rhodes. “I love architecture because I like puzzles and how they fit together,” she said. “Robin’s class was very much looking at how buildings fit together." Belis received her BA in art history and music from the University of Notre Dame in 2000, and her PhD in the field of classical archaeology from Princeton University in 2015. [Read more...]
Adrian Duran '98
Associate Professor, University of Nebraska
Adrian R Duran graduated from Notre Dame in 1998 with a BA in Art History, within which he studied Italian Renaissance and Baroque art with Dr. Randy Coleman and worked in the Education Department of the Snite with Curator Gina Costa. After ND, he went on to get an MA and PhD from the University of Delaware. During graduate school, Duran spent the summers of 2000 and 2001 as an intern at the Peggy Guggenheim Collection and the Venice Architecture Biennale. In 2005, Duran was an Assistant Professor at the Memphis College of Art, where he worked until a 2012, moving to the University of Nebraska at Omaha, where he is currently an Associate Professor. He served as Department Chair from 2016-19. Duran has published widely on mid20th century Italian painting and sculpture, including his 2014/18 book Painting, Politics and the New Front of Cold War Italy (Ashgate/Routledge), as well as edited the 2020 Journal of Latino/Latin American Studies issue “Art of the Latinx Diaspora” (jollas.org). Duran will be the 2020-21 Dorothy K. Hohenberg Chair of Excellence in Art History at the University of Memphis. He still plays guitar, listens to lots of music, and misses the Grace Hartigan painting in the Snite Museum of Art.
Julie Farstad '97
Professor of Painting, Kansas City Art Institute
Julie Farstad is a Professor of Painting, and Chair of the Painting Department at the Kansas City Art Institute. She works in oil, watercolors, and quilted fabric paintings that explore girlhood, mysticism, and landscape. Born and raised in Elmira, New York, Farstad earned a BFA in Painting from the University of Notre Dame in 1997, and an MFA in Painting from the University of Illinois at Urbana Champaign in 2000. Her work is represented by Zg Gallery in Chicago, Illinois. Farstad has exhibited her work nationally, with solo shows most recently at Zg Gallery, Plug Projects in Kansas City, Missouri, and Studios Inc. in Kansas City. She was awarded a three-year residency at The Studios Inc. in Kansas City in 2010 and her work was exhibited in Women to Watch 2010, Body of Work: New Perspectives in Figure Painting at the National Museum for Women in Arts in Washington, D.C. Julie Farstad lives in Kansas City with her husband and two children.
Isaac Duncan '97
Proprietor, Duncan Sculpture & Services
Isaac Duncan III, a Brooklyn, New York native and Afro-Cuban descendant, received a BFA degree in 1997 from Notre Dame, and a certification of secondary art education from St. Mary's College. In 2004, he completed his Masters of Fine Arts in Sculpture at the University of Kentucky. Since then, Duncan has risen in his field to complete many accomplishments in the community. He has taught elementary/middle school art in Michigan and university courses in Kentucky and Tennessee. He has been artist-in-residence for Gallery 37/Archi-Treasures, Illinois, the Richard Hunt Studio Center, Michigan, and the Association of Visual Artist, Tennessee. Duncan was also nominated for the prestigious Joan Mitchell Foundation Sculpture Fellowship and NIKE private proposals and was a recipient of the Tennessee Artsproposals, and was a recipient of the Tennessee Arts Commission Individual Artist Fellowship in 2017. [Read more...]
Katie Hazard '97
Program Manager, Burning Man Arts
Katie Hazard, ’97, is currently the Program Manager for Burning Man Arts in Black Rock City, NV. When asked as a child what she wanted to be when she grew up, she never dreamed that could be an option. Burning Man Arts, through art grants, mentorship, and art management programs, supports the creation of impactful, interactive artwork around the world. Black Rock City is home to the annual Burning Man Festival.
While at Notre Dame, Katie received a B.A. in art history, took gender studies courses, worked in the AAHD slide library (back when they used slides), and received the department’s annual Allan and Radwan Riley Award in art history in her senior year for her undergraduate thesis paper. Hazard’s career path first led her to work with museums including the Art Institute of Chicago, and then as Senior Grants Manager at Harvard University for 10 years, specializing in international women’s health. While living in Boston she was an operating partner in a community artist space and organized an arts festival in Vermont.
Katie Hazard started attending the Burning Man Festival in 2000, and volunteered for ten years before joining the staff in 2013. Her perspective on art was transformed. Katie’s years at Notre Dame gave her a solid foundation in art history and the ability to interpret the visual landscape anew. As a lifelong museum goer, it was a shock to be able to touch the art, to climb on it, and to have no labels or for every work to have personal meaning. What seemed like a one-off festival trip turned into eighteen years of dedication to the mission of changing the paradigm of art from a gallery object to an interactive, participatory, shared experience of creative expression.
As Program Manager for Burning Man Arts, she manages and serves on the committee which awards grant funding to artists, she directs art management processes and staff emphasizing community engagement, partners with organizations to install Burning Man art globally, and she curates the annual placement of 400 art installations.
Erin Hinz MFA '14
Recruitment Coordinator, New York Studio School of Drawing, Painting & Sculpture
After receiving her MFA in 2014, and with the encouragement of ND visiting artist, Mark Dion, Hinz moved to New York City to work as an artist assistant for internationally renown artist Jeff Koons. Her positions there included Color mixer, Stenciler and Painter. After working for Koons, she became the Studio Manager for McDermott & McGough, artists known for their immersion as Victorian dandies in New York City's East Village during the 80s. While at McDermott & McGough, Hinz was accepted into the Chashama's Space to Create, a studio residency program that provides subsidized studios to artists. During that time she had two solo shows at Sala Diaz Gallery in San Antonio, TX in 2015 and Chashama 266 in New York City in 2017. Hinz recently had a two-person show with Marlon Forrester at Kate Oh Gallery on the Upper East Side of NYC and a group show at VSOP Projects in Greenport, NY. erinhinz.com
Adam Fung MFA '08
Associate Professor of Painting, Texas Christian University
In the few moments of downtime between juggling his studio art practice, parenting, and teaching painting, Adam Fung has had frightening, haunting visions of a world without ice. Since creating a ﬁlm centered around the concept that “nature is a construct that distances us from our own planet changing actions”, he has turned his attention towards re-creating images from his encounters in the Arctic. Fung’s upcoming solo show Iceberg X, at Ro2 Art in Dallas, Texas, ﬁnds the artist and professor returning to polar-related topics. These land, ice, and seascapes conclude with a jarring X laid semi-transparently over the surface, a disruption of the illusionary image. Fung’s interest in the changing planet was solidiﬁed when the University of Notre Dame’s College of Arts and Letters generously funded his travel to Antarctica for research related to his MFA thesis exhibition. Fung has been traveling the world for inspiration ever since, visiting Panama, Austria, Norway, Australia, and Japan among others. Recently, Fung has been pursuing research interests in Iceland and the high Arctic (as a member of the 2016 Arctic Circle summer solstice artist residency and expedition) that include landscape painting, using technology and drones to create a ﬁlm, memory, and mapping, and using visual art to discuss climate change. Adam Fung is an assistant professor of painting at Texas Christian University (TCU) in Fort Worth, Texas. Fung holds an MFA in painting from the University of Notre Dame and a BFA in painting from Western Washington University. Frequent updates, more information, and new work can be found at adamfung.com.
Alex Lobos MFA '05
Professor and Graduate Director in Industrial Design, Rochester Institute of Technology (RIT)
Alex Lobos received his MFA in Design from Notre Dame in 2005 and is currently a Visiting Fellow at software company Autodesk. As part of the Strategic Foresight team, Alex helps to explore how technology will transform the way that people work and learn in a 5 to 10-year timeframe. Alex is developing projects that could transform Computer Aided Design (CAD) from a productivity tool into a system that offers continuous and intuitive learning experiences. Alex is also exploring how the key elements of experiential learning apply to digital tools and remote working situations. Alex is doing this work during a yearlong sabbatical from Rochester Institute of Technology (RIT), where he is Professor and Graduate Director in Industrial Design. Alex’s design work uses advanced technology such as generative design and digital fabrication while maintaining a strong connection with physical interaction, sustainability and user experience. At RIT, Alex leads a top-ranking design graduate program, heavily immersed in interdisciplinary collaboration and applied research. His work has been sponsored by companies such as Autodesk, AT&T, ColgatePalmolive, General Electric, Kraft, Makerbot, Staples, Stryker, Sun Products, Unilever and Wegmans. In 2018, Alex was the recipient of the prestigious Richard and Virginia Eisenhart Award, RIT’s highest recognition for teaching excellence. Alex is also a member of Autodesk University’s Advisory Council and has been a juror for the International Design Excellence Awards (IDEA) and the Ibero-American Design Biennial. Alex notes that the future of education involves moving from static teaching models to dynamic learning experiences, where students learn by doing and by collaborating with other disciplines, whether they are in the same room or across the globe.
Tarrah Krajnak MFA '04
Associate Professor of Art, Pitzer College
Tarrah Krajnak was born in Lima, Peru in 1979. She received her MFA in Photography from the University of Notre Dame in 2004. Krajnak is currently an Associate Professor of Art at Pitzer College in Claremont, CA. Her previous teaching positions include the University of Vermont and Cornell University. Krajnak is an active artist and has exhibited nationally and internationally at Honor Fraser Gallery, Houston Center for Photography, SUR Biennial Los Angeles, Silver Eye Center for Photography, Center for Photography Woodstock, San Francisco Camerawork, Philadelphia Photographic Arts Center, The Print Center, Art London, Art Basel Miami, The National Museum of Women in the Arts, The Samuel Dorsky Museum of Art, and Ampersand Gallery & Fine Books. Her work has appeared in both print and online magazines including the LA Review of Books, Nueva Luz, and Camerawork. She received grants from the National Museum of Women in the Arts, Arizona Commission on the Arts, and was awarded an emerging artist grant from the Harpo Foundation in 2018. Her solo exhibition 1979: Contact Negatives at as-is Gallery in Los Angeles was recently an Artforum critics' pick and was reviewed in Contemporary Art Review Los Angeles in April 2019. She has a forthcoming monograph with TBW books which reconfigures Ansel Adam's The Making of 40 Photographs into a commentary on her own place within the history of photography as a woman of color.
Jennifer Dasal MA '04
Associate Curator of Contemporary Art, North Carolina Museum of Art
Jennifer Dasal has created an art & art history-themed podcast titled ArtCurious. Dasal launched ArtCurious last summer and releases new episodes every two weeks. “I’m hoping to give more of an interesting spin to art history,” Dasal says, putting historical stories in a modern-day context and weaving in interesting parallels and side notes. For example, “the very first episode that I did was about the thefts/forgeries/possible falsehood of the Mona Lisa-- that actually stemmed from a story that I heard from one of my professors at the University of California, Davis, where I did my undergraduate work. She was convinced that the Mona Lisa on view at the Louvre was fake. I thought that was such a strange idea, so I wanted to dig into the work’s background (particularly in the 20th century) and learn more. And that started it all.”