Public Talk with Julia Bryan-Wilson: Lotty Rosenfeld's Materiality

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Location: McKenna Hall Auditorium (View on map )

Lotty Rosenfeld's Materiality: Sculpture Takes Up Space

In this talk, Julia Bryan-Wilson explores how the work of Chilean feminist artist Lotty Rosenfeld (1943-2020) utilized sculptural propositions to alter public space through materiality. Though Rosenfeld has been generally understood as a conceptual artist and co-founder of the important dissident group Colectivo Acciones de Arte, active during the Pinochet dictatorship, her work also has a persistent through-line that engages with materials (including street actions, textiles, and mixed media collages) that bring her work in dialogue with sculptural dimensionality.

Julia Bryan-Wilson

Smiling woman with short dark hair, dark lipstick, and a striped top, against blurred foliage.
Julia Bryan-Wilson teaches contemporary art and LGBTQIA+ studies at Columbia University. She is the award-winning author of several books, including Art Workers: Radical Practice in the Vietnam War Era (2009); Fray: Art and Textile Politics (2017) and Louise Nevelson’s Sculpture: Drag, Color, Join, Face (2023). As Curator-at-Large at the Museu de Arte de São Paulo, she co-curated several exhibitions, including Queer Histories (2024/5). In November 2025 she opened two shows—GUTSY: On Feminist Infrastructure (at MSN Warsaw) and Lotty Rosenfeld: Disobedient Spaces (at the Wallach Art Gallery, organized with Natalia Brizuela). In 2024 she served as President of the International Jury of the 60th Venice Biennale.
 
 

Originally published at arts.nd.edu.