Tatiana Reinoza
- Office
- 410 Decio Faculty Hall
Notre Dame, IN 46556 - Phone
- +1 574-631-2822
- treinoza@nd.edu
Notre Dame du Lac Associate Professor, Art History
Institute for Latino Studies; Faculty Fellow, The Initiative on Race & Resilience; Faculty Fellow
Area: Art History
Education
Ph.D., University of Texas, Austin
M.A., University of Texas, Austin
B.A., Sacramento State University
Research Interests
Latinx Art, Printmaking, Photography, Art and Activism, 20th Century Latin American Art, Borderlands Theory
Biography
Tatiana Reinoza is Associate Professor of Art History at the University of Notre Dame and a past member of the Dartmouth Society of Fellows. She received her PhD from the University of Texas at Austin. A recognized specialist within the field of Latinx art, Dr. Reinoza’s work centers on reproductive mediums, namely printmaking and photography. Her writing has appeared in the Archives of American Art Journal, Art Journal, Aztlán: A Journal of Chicano Studies, as well as edited volumes and exhibition catalogues such as ¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now. Her first book, Reclaiming the Americas: Latinx Art and the Politics of Territory (2023) was published by the University of Texas Press and received book awards from the American Historical Print Collectors Society, the Association for Ethnic Studies, and the International Latino Book Awards. Reclaiming the Americas was also shortlisted for the Charles C. Eldredge Prize from the Smithsonian American Art Museum and the Charles Rufus Morey Book Award from the College Art Association.
Along with Karen Mary Davalos, she co-edited the University of California Press anthology Self Help Graphics at Fifty (2023) which commemorates the golden anniversary of this East LA arts institution and earned a Millard Meiss Publication Grant. Her work has been supported by the Mellon Foundation, the Getty Research Institute, and earned awards from the Association of Print Scholars, and the Latin American Studies Association. She is currently at work on a new book project titled Retorno: Kinship and Photographic Returns for the Central American Diaspora.
Representative Publications
“War at Home: Conceptual Iconoclasm in American Printmaking,” in ¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now, edited by Carmen Ramos (Washington, D.C.: Smithsonian American Art Museum and Princeton University Press, 2020), 105-127.
“The Island within the Island: Remapping Dominican York,” Archives of American Art Journal 57:2 (fall 2018): 4-27. Peer-reviewed. Awarded best essay prize in 2019 by the Latin American Studies Association - Visual Culture Section.
“Printed Proof: The Cultural Politics of Ricardo and Harriett Romo’s Print Collection,” A Library for the Americas: The Nettie Lee Benson Latin American Collection, edited by Julianne Gilland and José Montelongo (Austin: University of Texas Press, 2018), 145-55.
