This immersive installation explores ideas of power and race in America through theatrics reminiscent of the Roman Baroque. Here, renowned conceptual artist Kevin Beasley calls into focus Black liberation movements and ongoing imbalances of power experienced by Black Americans and marginalized men and women of color. The work maintains a formality often employed in religious imagery and in art intended to convey the divine right of leaders.
This annual exhibition is comprised of the culminating thesis projects created by the six students graduating in May 2021 from the three-year masters in fine arts degree program of the University of Notre Dame Department of Art, Art History & Design.
This immersive installation explores ideas of power and race in America through theatrics reminiscent of the Roman Baroque. Here, renowned conceptual artist Kevin Beasley calls into focus Black liberation movements and ongoing imbalances of power experienced by Black Americans and marginalized men and women of color. The work maintains a formality often employed in religious imagery and in art intended to convey the divine right of leaders.
This annual exhibition is comprised of the culminating thesis projects created by the six students graduating in May 2021 from the three-year masters in fine arts degree program of the University of Notre Dame Department of Art, Art History & Design.
This immersive installation explores ideas of power and race in America through theatrics reminiscent of the Roman Baroque. Here, renowned conceptual artist Kevin Beasley calls into focus Black liberation movements and ongoing imbalances of power experienced by Black Americans and marginalized men and women of color. The work maintains a formality often employed in religious imagery and in art intended to convey the divine right of leaders.
