Joseph Antenucci Becherer, the founding director and curator of the sculpture program at Frederik Meijer Gardens & Sculpture Park in Grand Rapids, Michigan, has been appointed the new director of the Snite Museum of Art at the University of Notre Dame. HIs term as director will begin in January 2019.
Becherer joined Meijer Gardens in 1999, and became its chief curator and vice president of sculpture and horticulture, collections and exhibitions in 2009. He also is the Lena Meijer Professor in the History of Art at Aquinas College, where he teaches courses in Renaissance, Baroque and Contemporary art.
At Notre Dame, Becherer will lead a staff of 16 responsible for exhibition development and educational programs that serve Notre Dame students and faculty as well as thousands of primary and secondary school students who visit the Snite Museum of Art annually. He also will play a major role in helping design the University’s new Raclin Murphy Museum of Art at Notre Dame.
“We are thrilled to have someone of Joseph’s artistic vision, talents and operational experience joining our team at Notre Dame,” said Maura Ryan, vice president and associate provost for faculty affairs, who oversaw the national search that led to Becherer’s appointment. “We are confident he will continue and enhance the museum’s role in the University’s vibrant arts district that is taking shape on the southern edge of our campus and includes the Charles B. Hayes Family Sculpture Park, which opened in 2017.”
“This directorship is a great honor and opportunity beyond measure as the museum and entire academic community fully embrace the essential role of the arts at the heart of Notre Dame,” Becherer said. “Following in the great tradition that is the Snite Museum of Art, I look forward to working with donors, staff, faculty, students and artists to create in the new Raclin Murphy Museum of Art one of the nation’s pre-eminent and most innovative university art museums.”
After a friend spent the summer working for a firm that developed prosthetics and after having experience working with people with limb deficiencies and prosthetics herself, in the beginning of her junior year Dominique DeMoe wanted to work with friend, Cole Grabowski to create a club on campus that made prosthetics. After doing a bit of digging, they found that e-NABLE Notre Dame, lay dormant with many of the current members seniors who did not have time to revive the club. E-NABLE is a national organization which uses 3D printing to create different limbs for those in need.
Third-year MFA student in photography Melonie Mulkey has been selected to exhibit her work in the Midwest Center for Photography's 10th Annual National Photography Fellowship Competition - "Developed Work."
Second-year MFA student in photography Brittany Williams' photo was chosen to be part of The Print Swap. Created by Alison Zavos, the founder of Feature Shoot, The Print Swap has featured more than 8,000 photographers from around the globe, working across genres and disciplines, geographical and political boundaries.
Art historian Woods wins grant from Graham Foundation.
When Kacey Hengesbach began her undergraduate career at Notre Dame, she didn’t imagine that it would include traveling 8,000 miles to Ahmedabad, India. But thanks to a new course created by Neeta Verma, she had the chance to spend three weeks there last summer, working collaboratively with students from India’s National Institute of Design. Hengesbach and the other students in Verma’s Social Design course continued their partnership with the NID students throughout the fall semester, hosting them for a two-week visit to Notre Dame in September and communicating via Skype and email for the remainder of the course.
Presentation at College Art Association’s Annual Conference, February 24, 2018, Los Angeles, CA
The Evolving Role of the Designer in the New Paradigm
Neeta Verma, Associate Professor, University of Notre Dame
Within the context of a world where many socio-economic challenges are becoming a shared predicament, the paper examines the evolving role of design/designers to understand how user-centric approaches have introduced research, testing, and validation to the design process. The emergence of web created a seismic shift in the 1990’s–it redefined the crucial role that users began to play in the redefinition of both industrial and visual communication design. Added to this shift, the rapid change of scale at which problems came to be defined, especially within societal contexts, made it imperative for designers to extend their approach beyond disciplinary skills to gaining a deeper understanding of the context within which they operate in an effort to create sustainable impact through design innovation. In this new ecology, in addition to serving as creatives by connecting ‘need’ to ‘gratification’, the role of the designer transformed to incorporate additional roles: that of being a collaborator, facilitator, catalyst, and co-creator.…